Film School Sucks

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Film School Sucks
Film School Sucks
The Hardest Scene You’ll Ever Write

The Hardest Scene You’ll Ever Write

No dialogue. No exposition. Just action, emotion, and the raw tools of visual filmmaking.

Adam Petrey's avatar
Adam Petrey
Jun 25, 2025
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Film School Sucks
Film School Sucks
The Hardest Scene You’ll Ever Write
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For the first three decades of cinema, there were no words. No dialogue. No sound.

Just faces. Shadows. Movement.

And yet, those silent films could say more than entire screenplays.

A glance could reveal betrayal. A silhouette could signal death. A single cut could break your heart.

The earliest filmmakers had no choice but to tell stories visually. They weren’t screenwriters—they were image architects, composing shots like sentences, building emotion through rhythm, contrast, and space.

They learned to speak the native language of film: visual grammar.

Today, we’ve forgotten that language.

Dialogue has become a crutch. Voiceovers patch over weak storytelling. Whole scenes exist just to explain what the audience should already feel.

But if you strip film down to its bones—what’s left?

Can you still move someone? Can you still build tension? Can you still tell the truth?

Because when the dialogue disappears, only the direction remains.

Your composition, your blocking, your instincts—they have to carry it all.

And that’s exactly what you’re about to face:

One scene. No lines. No shortcuts.
Just you, your characters… and the silence between them.

The challenge starts here.

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